Cinematic Poetics of Guilt

Cinematic Poetics of GuiltHow do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political communitys horizon of values? Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as

one of the first women longshoremen

or customer service

From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties

As McKee argues

The odyssey of Thomas Holme

But while neoliberal policies were enacted in both the United States and the United Kingdom

in the premodern sense—then those bodies typically and most insistently associated in the premodern period with matter—namely

develops knowledge of the six foundational concepts of social studies thinking

In tracing the increasing coalitional ties between local pro-democracy protests and transnational human rights activism

In order to answer these and other pressing questions

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Nancy Raquel Mirabal delves into the rich cache of primary sources